Exhibition “Simon Vansteenwinckel. Wuhan Radiography”

04/06/2022 h 18/09/2022 F Add to the calendar 2022-06-04 2022-09-18 Europe/London Exhibition “Simon Vansteenwinckel. Wuhan Radiography” Simon Vansteenwinckel was born in Brussels in 1978. He is a photographer and graphic designer. He produces long-haul documentary projects, making the aesthetic choice of the contrasting and granular texture of film. Black and white photography enables him to focus on the image, interplay of light and framing, while evoking timelessness. Through his work, Simon Vansteenwinckel makes a major contribution to the effervescence of the Brussels photographic scene, which is a very lively and innovative today. His subjects are diverse, ranging from an initiatory journey with his family to Chile and Argentina which spawned the book Nosotros (published by Yellow Now, 2018) to Platteland (Published by Home Frit’Home, 2019), a visual narrative of his wanderings in Belgium. Simon has already exhibited at the Museum of Photography at the time of the 17th Open National Photography Contest (9th December 2017 – 22nd April 2018) where he was awarded the Nikon Belux Prize. His work is represented more particularly by the Modern Blocks and Calaveras galleries (Belgium). He is also the co-author of the books 1010 South Station (published by Le Mulet, 2018), Sauvage (published by Le Mulet, 2018), and 1010 Noordzee (published by Le Mulet, 2019). He has been a member of the editorial board of Halogénure magazine since 2016. Last but not least, Simon Vansteenwinckel is the co-founder of an independent publishing house specialising in photogra- phic books, Éditions Le Mulet, with the graphic designer and photographer Mathieu Van Assche. Simon Vansteenwinckel was born in Brussels in 1978. He is a photographer and graphic designer. He produces long-haul documentary projects, making the aesthetic choice of the contrasting and granular texture of film. Black and white photography enables him to focus on the image, interplay of light and framing, while evoking timelessness. Through his work, Simon Vansteenwinckel makes a major contribution to the effervescence of the Brussels photographic scene, which is a very lively and innovative today. His subjects are diverse, ranging from an initiatory journey with his family to Chile and Argentina which spawned the book Nosotros (published by Yellow Now, 2018) to Platteland (Published by Home Frit’Home, 2019), a visual narrative of his wanderings in Belgium. Simon has already exhibited at the Museum of Photography at the time of the 17th Open National Photography Contest (9th December 2017 – 22nd April 2018) where he was awarded the Nikon Belux Prize. His work is represented more particularly by the Modern Blocks and Calaveras galleries (Belgium). He is also the co-author of the books 1010 South Station (published by Le Mulet, 2018), Sauvage (published by Le Mulet, 2018), and 1010 Noordzee (published by Le Mulet, 2019). He has been a member of the editorial board of Halogénure magazine since 2016. Last but not least, Simon Vansteenwinckel is the co-founder of an independent publishing house specialising in photographic books, Éditions Le Mulet, with the graphic designer and photographer Mathieu Van Assche. Picture: From the serie Wuhan Radiography © Simon Vansteenwinckel Practical information Museum of Photography, Avenue Paul Pastur 11 6032 Charleroi Museum of Photography

Simon Vansteenwinckel was born in Brussels in 1978. He is a photographer and graphic designer. He produces long-haul documentary projects, making the aesthetic choice of the contrasting and granular texture of film. Black and white photography enables him to focus on the image, interplay of light and framing, while evoking timelessness. Through his work, Simon Vansteenwinckel makes a major contribution to the effervescence of the Brussels photographic scene, which is a very lively and innovative today.

His subjects are diverse, ranging from an initiatory journey with his family to Chile and Argentina which spawned the book Nosotros (published by Yellow Now, 2018) to Platteland (Published by Home Frit’Home, 2019), a visual narrative of his wanderings in Belgium. Simon has already exhibited at the Museum of Photography at the time of the 17th Open National Photography Contest (9th December 2017 – 22nd April 2018) where he was awarded the Nikon Belux Prize.

His work is represented more particularly by the Modern Blocks and Calaveras galleries (Belgium). He is also the co-author of the books 1010 South Station (published by Le Mulet, 2018), Sauvage (published by Le Mulet, 2018), and 1010 Noordzee (published by Le Mulet, 2019). He has been a member of the editorial board of Halogénure magazine since 2016. Last but not least, Simon Vansteenwinckel is the co-founder of an independent publishing house specialising in photogra- phic books, Éditions Le Mulet, with the graphic designer and photographer Mathieu Van Assche.

His work is represented more particularly by the Modern Blocks and Calaveras galleries (Belgium). He is also the co-author of the books 1010 South Station (published by Le Mulet, 2018), Sauvage (published by Le Mulet, 2018), and 1010 Noordzee (published by Le Mulet, 2019). He has been a member of the editorial board of Halogénure magazine since 2016. Last but not least, Simon Vansteenwinckel is the co-founder of an independent publishing house specialising in photographic books, Éditions Le Mulet, with the graphic designer and photographer Mathieu Van Assche.

Picture: From the serie Wuhan Radiography © Simon Vansteenwinckel

Practical information

Avenue Paul Pastur 11 6032 Charleroi

His work is represented more particularly by the Modern Blocks and Calaveras galleries (Belgium). He is also the co-author of the books 1010 South Station (published by Le Mulet, 2018), Sauvage (published by Le Mulet, 2018), and 1010 Noordzee (published by Le Mulet, 2019). He has been a member of the editorial board of Halogénure magazine since 2016. Last but not least, Simon Vansteenwinckel is the co-founder of an independent publishing house specialising in photographic books, Éditions Le Mulet, with the graphic designer and photographer Mathieu Van Assche.

Picture: From the serie Wuhan Radiography © Simon Vansteenwinckel

Practical information

Museum of Photography

Relive the adventure of photography from its invention to contemporary creation

Since the development of its new contemporary wing, the Museum of Photography, housed in an old Neo-Gothic Carmelite, is today the largest museum dedicated to the photographic image in Europe.

Through permanent collections and temporary exhibitions, relive the adventure of photography from its invention to contemporary creation.

Educational activities are organized for audiences of all ages. The museum is also equipped with a consultation library, a shop and the Museum Café with view on and access to a park.

MCompanies

Are you looking for an exceptional environment for organizing an event? The Photography Museum meets your wishes by offering reception rooms with a capacity of 20 to 200 people. The museum has a specialized library with more than 10,000 books, a conference and projection room, children’s workshops, a boutique and the “Café du musée” with a view of a beautiful park. The Photography Museum also offers various reception rooms for business events with or without cultural visits.

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LPeople with specific needs

Participation in a discovery workshop for intellectual disabilities.
During this workshop visit, made up for the intellectual deficiency, we propose to the participants to follow us through the museum rooms to discover the specificities of the photographic medium. The guiding principle of the visit is the discovery of the camera, its operation and appropriation by some artists.
In this context we propose to experience the following:
– A zoom on the discovery trail through which visitors can discover and experience the operation of the camera.
– A close-up of some of our photos in the permanent collections.
– Practicing the development in the dark room thanks to the photogram.

Guided tour for the visually impaired.
The guides tailor the tours of the permanent collections and temporary exhibitions to the visually impaired and the blind. Touching images, observing their drawings, exploring subjects, manipulating devices … makes it possible to capture images in a privileged way. Through their comments and descriptions, they will show you a selection of photos from our collections and exhibitions.
Duration 2 hours.
Guided tour in group of at least 5 people and maximum of 8 people not or visually impaired (the guides are free).

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OGroups

Guided tours:
Through collections, temporary exhibitions and the discovery route, the historical or thematic tours in the Photography Museum are based on dialogue and are intended to stimulate exchange. They adjust to the age and level of the participants. An art historian guide or a photo animator, trained in image analysis, compiles the tour according to the wishes of the group and each leads to observe the photos and identify the elements that enable them to understand the message. To help appreciate the richness and diversity of photography, young people, teenagers, and adults are encouraged to perceive, analyze, and decode an image: a good way to awaken the critical sentence!

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JSchools

Workshop visits (nursery, primary, secondary and higher):
The workshop tours combine a tour with a practical workshop using film and / or digital photography. Like the traditional tours, they are intended for everyone and are adapted to the age, requirements and level of the participants. It is the ideal formula to appreciate photography in its many facets, that is, as a historically supporting, aesthetic and material object. To develop, observe, discover, wonder and learn the critical feeling of the image while rolling up your sleeves!

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